ISSUES was amazingly shot over a
period of eight shooting days for principal photography (June 20-28, 2004 and one day off)
and one extra day needed to be scheduled for a re-shoot due to a camera error, which
damaged the footage for one scene. The film was shot in Super 16mm format.
Van Elder wrote the original draft of the script over a period of
six weeks and eight additional drafts of the script were written until the final shooting
script was reached. Fresh off of writing, directing, and producing three successful short
films back to back, Van felt that not only was he ready to take the step to the next
level, but he also felt a sense of urgency to get a feature film done. "I had made
three fifteen minute short films so I figured that a feature would basically be six times
one of those films and I came up with a 90 page script". As a result, he put all of
his resources together, contacted co-producer/actress Lisa DeWitt to assist him and he set
his course to accomplishing his dream.
The concept of ISSUES began with Van wanting to make a raw
and honest film that addressed everyday problems that most people can relate to,
specifically relationship problems. After deciding which topics in particular he wanted to
address in the film, Van wrote the best character driven script that he could come up
with, knowing that he did not have much money to work with.
Van took the typical route to "low-budget" filmmaking
by limiting the number of locations in the script, but having just enough to break up the
monotony and raise the production value of the film up a notch. The film was shot
predominantly in one location, the house where the three main characters reside. This was
done primarily with the handheld camera cinematography of director of photography, Roger
Chingirian. "I not only chose to shoot the interior house scenes with handheld camera
movement for budgetary reasons, but also to give the story a more realistic and intimate
feel". Once the film was shot, Van immediately went into post-production and began
editing the film in his apartment on his Avid Express Pro system.
The Birth of the "Anti-romantic Comedy"
Always wanting to go against the grain in his style of
story-telling, Van crafted what he calls the "Anti-romantic Comedy" or the
"UNromantic Comedy". "It has some elements of your typical romantic comedy,
but it builds upon candid humor, honesty, and real emotions, without all of the
fluff". With inspiration from the early films of Spike Lee, Edward Burns, and Kevin
Smith, Elder felt that he could take his original idea and potentially duplicate the
success that his predecessors had in their feature film debuts, not only overachieving
from a budgetary stand point, but also by exhibiting a unique storytelling perspective as
well.
ISSUES is a male driven film, with the focus being on two
cousins, Royce and Damien, and the story centers around the male perspective. "I
think that people will appreciate the characters honesty because they show real
emotions and speak their minds, just like in real life. And as in real life, nothing is
pretty and perfect and all of the characters in the film show vulnerability and flaws,
with the humor being bold, truthful, and not too scripted". Elder takes the
unapologetic approach to combining comedy and romantic/dramatic elements to storytelling
in ISSUES. "Too many times I am watching a film and see situations or
characters dialogue play out in a way that you know would not happen in a real life
situation. You can still be funny without sugar coating things because thats how
life is, one moment you can be depressed and the next minute you can be laughing and you
can find humor in both instances, especially if you have personally experienced what the
characters in my film are going through".
Cast and Crew
Elder cast the film in a relatively short amount of time. He
wanted the right fit for each character and wanted to work with up and coming talent and
actors who may have been seen in different arenas but were not fully known on a mainstream
scale. The one lone exception to this might be Todd Bridges of Diffrent Strokes
fame. "I had an idea already of who I wanted to work with for the most part and some
roles just fell into place". Most of the roles were filled by previous friendships or
professional referrals. "I had always wanted to work with Ben Watkins and felt that
he was perfect for the role of Royce and Laz Alonso was recommended to me by a director
friend of mine and once he was brought to my attention, I instantly knew that he could
pull off the role of Damien". The only roles that were auditioned for were the roles
of Nicole, played by Barri Whittaker and Amber White, played by Sarah Strandberg. Elder
auditioned close to two hundred actresses for those two roles that went to Whittaker and
Strandberg.
The Issues film crew primarily consisted of seven to eight
people (Van, the director of photography/camera operator, gaffer, two or three camera
assistants, one sound mixer/recorder, and a script supervisor). Director of Photography,
Roger Chingirian was referred to Van from DP Byron Werner, who photographed two of
Elders short films, Sigmund the See Monster (2002) and A Tale of Two
Sisters (2004). Van had previously worked with most of the other crewmembers on other
film shoots of his. All cast and crew had the "independent spirit" and agreed to
work for a "low budget" rate to help aid in completing the production.
About the Filmmaker
Van Elder is a native of Compton, California. Issues is
the fourth film from Director Van Elder and serves as his feature film debut.
Additionally, he served as writer, producer, and editor on Issues. He has
previously directed three award winning short films; Sigmund the See Monster
(2002), Out-of-Body Experience (2004), and A Tale of Two Sisters (2004).
Elder holds a Masters degree in Film & Television and has authored numerous
screenplays that he plans to develop.
Elders professional career has seen him work in various
facets of the media and entertainment industries. It wasnt until he was working in
advertising for a high profile media company and attending law school at night that he had
finally decided to fulfill his dream of becoming a director. He would soon take a leave of
absence from law school and set his course for pursuing his ultimate goal. Since then, he
has never looked back. Van plans on becoming a permanent fixture in the film industry and
his preceding work is a good indication of his potential.